The girl was wearing a baby blue cotton shirt, worn at the edges, the sleeves coming down halfway between her shoulder and her elbow. The neckline had been, presumably by her, cut into a ragged V, and there was a symbol, or writing on her shirt, in black, though the way she was twisted there was no hope of deciphering what it said. The bottom of her shirt dipped low in in the front and the back, and the sides were shortened to her hips. The bottoms fell over her skirt, which was a beautiful gypsy piece, hidden with patterned patches, stolen from mandalas and persian rugs. It was a tiered skirt, but it was not the kind where the tier evenly circles around the whole length, it was more each pice for their own, and the effect was of more shingles than anything else. Where the patterns flapped up, you would catch a glimpse of fuchsia silk, seemingly from a sari, and bits of it trailed and fluttered with he rest of the skirt. The skirt hung about her calves, but just then, the girl ran over a subway grate, past crowds of people, and because of the breeze, the skirt hovered around her knees, exposing, long, thin, graceful dancer's legs. Now, her features had been molded to form a look of defiance, and determination, even though her obligation that she was determined to fulfill was a hard one. Her hair had been blown back momentarily from the breeze, exposing the eye of a peacock feather dangling from each ear, swirling in emerald and the darkest of blues. And now I saw, too, that the girl was clutching a shoulder bag, made of woven hemp the color of beaten straw that was held to her waist. Then, the girl dashed past the subway grate, and disappeared in the tumult of people, off to haunt someone else's vision.
Title Quote: Yael Naim, New Soul